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SFX In the effects section you will meet all the usual suspects: distortion, chorus, delay and reverb, as well as the mighty Soundgoodizer based on the Maximus engine.

While additive synthesis is generally known to be processor-intensive, Harmors engine is built for efficiency, comparable to that of subtractive synthesizers.

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Image Lines Harmor synthesis engine puts the parameters of additive and subtractive synthesis at your fingertips.

With image synthesis reinvent your voice or any other audio sample - play with gain and pitch planes to tweak any imported image for interesting layers of sound.

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You can also import your own images to change Harmors behavior and create new sounds.

Watch how each partial evolves in the built-in spectrogram Audio resynthesis feature recreates synthesized representations of audio.

Effect slots can be re-ordered and each part has its own effect mix amount.

Its modules will look familiar to subtractive synthesizer enthusiasts: oscillators, filters phasers, these are featured in Harmor but, because performed through additive synthesis, offer more freedom.

You wanted more, so also featured is the multipoint envelope editor of Sytrus fame, applied to over 40 parameters, in 2 independent parts.

If you need one of the 2 filter units processed after the blur unit, thats no problem.

Image synthesis Because it typically requires manipulating large amounts (up to 500 per voice) of partials over time, additive synthesis is hard to handle.

Get access to gain pitch planes which you can tweak in the image editor of your choice, and import any bitmap, even if it wasnt designed to be turned into audio, it might still sound interesting.

Audio resynthesis Being an additive synthesizer, Harmor can resynthesize audio files as well.

Resynthesis can of course be tweaked, providing time stretching, pitch shifting, or less conventional manipulations of partials.

And of course, the result of the analysis can still be turned into an image for further editing.

Efficient Additive synthesis is generally very CPU-consuming, but not Harmors engine.

Its efficency is in fact, comparable to that of subtractive synthesizers.

Processing being multi-threaded, extra CPU cores come in handy.

Import a piece of audio and time-stretch or pitch-shift it (with formant and transient preservation).

Convert this to an image and edit each partial individually Two parts Two independent parts (or layers) for even more complex sounds.

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